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Papers On Literature
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John Fowles' 'The French Lieutenant's Woman' / Mysterious Sarah
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A 5 page paper analyzing Sarah Woodruff's presence as the central figure in John Fowles' novel. The paper argues that the reader sees Sarah as doubly distanced through the eyes of both the protagonist, Charles, and the author himself. No additional sources cited.
Filename: Fowles.wps

John Fowles' 'The Magus' / The Re-education of Nicholas
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A 6 page paper examining the way the self-centered protagonist of this novel is re-educated to be more responsive to life as it is lived, and less dependent on the traditional European macho themes of conquest and success. The paper points out that this deeply symbolic novel uses motifs such as the labyrinth to emphasize life as a state of being rather than a straight path to a goal. Bibliography lists 2 sources.
Filename: Magus.wps

Relationship between Economic and Political Power
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A 6 page research paper that examines some of the most influential and famous works of the Enlightenment. During the eighteenth century, inspired by new and revolutionary discoveries in science, Western political philosophers such as Locke, Rousseau, Smith, Paine and Jefferson reevaluated the nature of political authority and how it related to what they regarded as the natural rights of mankind. Bibliography lists 5 sources.
Filename: 99enlmnt.wps

Rousseau's 'La Nouvelle Heloise' (‘Julie')
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An 8 page paper that discusses Rousseau's sentimental look at the roles dictated by society for men and women according to Enlightenment views with a Rousseau twist. His focus is on the 'nature' of the human male and how those needs are to be filled through the 'nature' of women for the good of society as a whole. The writers argues that the antiquated views postulated by Rousseau through his novel are still being debated today. No additional sources cited.
Filename: Rousjuli.wps

Autobiography in Shelley's Frankenstein and Rousseau's Confessions
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Barbara Johnson has posited the idea that autobiography is always in the process of symbolically killing the mother off by narrating the fiction as though it were the child one has given birth to and that represents the author. In Jean Jacques Rousseau's Confessions the premise of an autobiography is not in question. The book does not end with his death, but rather with his life alone. In Shelley's Frankenstein, the creator (Victor) and the creation (the Monster) are both seen as extensions of aspects of the author, mirrored in behavior and psychological representations of the self, which are ultimately ended either by death or a return to solitude. This 7 page paper argues that Johnson's theory, at least in the abstract, is seen as valid and worthy of discussion. Bibliography lists 6 sources.
Filename: KTfrnbio.wps


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