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Papers On Graphic Arts
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Graphic Design and Contemporary Photographic Theory
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A 10 page overview of computer-aided graphic design and its relation to conventional photographic theory in both still and moving photography. Discusses in detail concepts such as editing, composition and presentation. Compares the tools and techniques which are available to the conventional photographer with those which are available to the graphic design artists. Emphasizes that traditional artistic theory is just as important to the graphic design artist as it is the to the conventional photographer. Bibliography lists 3 sources.
Filename: PPphotGr.wps

'Popeye is Not a Mickey Mouse Affair'
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Arguments have existed suggesting that fictional characters cannot be copyrighted because they are an abstraction of the minds of the viewer and, therefore, can have no tangible existence outside the original work. Yet it is now recognized that both Popeye and Mickey Mouse receive copyright protection on the basis that they were sufficiently developed to command protection. This 12 page paper considers the issue of copyright laws as they have developed in Japan and reflects upon the notion that fictional characters like Mickey Mouse and Popeye have been 'developed sufficiently to command protection.' Bibliography lists 12 sources.
Filename: Popmick.wps

“Art nouveau”
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A five page paper which looks at the importance of the art nouveau movement of the late nineteenth century and some of the other art and design movements, such as the Bauhaus school and New Objectivity which arose out of it. Bibliography lists 3 sources
Filename: JLArtnouv.rtf

“Graphic Design and Modern Technology”
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A five page paper which looks at the ways in which computer technology and the globalisation of communication has changed design concepts, and the extent to which such technology is leading towards a ‘paperless society’. Bibliography lists 3 sources.
Filename: JLcompdesign.rtf

19th Century Graphic Design and the Gutenberg Galaxy
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“The Gutenberg era...is a consistent series of static shots or 'fixed points of view' in homogenous relationship. Homogenisation of men and materials will become the great programme of the Gutenberg era, the source of wealth and power unknown to any other time or technology” [Mcluhan, M, The Gutenburg Galaxy(1962)]This 5 page paper looks at this quote and uses three examples of graphic design from the 19th century to show how the era of print ushered in the concept of 'the static or fragmented shot' and 'homogenisation of men or materials'. The bibliography cites 6 sources.
Filename: TE19guten.rtf


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